All the rules of the Afterlife have been broken, and they must find a way to make things right, before Heaven is ruined for the rest of time. They find the afterlife in ruins amidst a growing war between Good and Evil. ![]() ![]() ‘Welcome to Purgatory’ follows three new arrivals – Willis, Taylor and Danni - as they navigate this fresh vision of the Afterlife, helped along the way by trusty Guardian Paul. Murray will star alongside a cast that currently includes Nathan Jones (‘Troy’, ‘Mad Max: Fury Road’), Jack O’Halloran (‘Superman’, ‘King Kong’), Tory Kittles (‘Olympus Has Fallen’, ‘Next’) and Stephen Marcus (‘Lock, Stock and Two Smoking Barrels’, ‘Quills’), and will be executive-produced by horror-legend Scott Spiegel, and directed by British director Gene Fallaize. Murray, who is best known for her roles in ‘Wild Things: Foursome’ (2010) ‘Never Back Down 2’ (2011) ‘The Graves’ (2009) and ‘Bad Ass’ (2012) opposite Danny Trejo, will star as ‘Danni’, a young woman who suffers an untimely death after an accident and arrives in an afterlife in the midst of war. Welcome to Purgatory Casting Details: "Cupsogue Pictures is pleased to announce that actress Jillian Murray has been confirmed as one of the lead roles as the character of ‘Danni’ in its upcoming action/fantasy motion picture ‘Welcome to Purgatory’. Slasher, go to the film's Facebook page at: or check out the film on Twitter at: ![]() Sales agents Glen Reynolds and Sebastian Twardosz will be handling the film for Circus Road Films." Slasher’s growing social media presence – the Twitter page alone has 75 thousand followers and is growing every day - there is clearly an interest in this subject matter, and I think audiences will love our director’s clever and visually kinetic examination of America’s cultural obsession with faux-celebrity.” Says producer Wright, “We are really quite pleased to work with Circus Road Films in bringing our film to audiences. Slasher’ publicly abducts a series of reality TV stars while the media and general public in turn begin to question if society is better off without them. Incensed by the tabloid culture which celebrates it, the ‘L.A. It explores why it has become acceptable and even admirable for people to become influential and wealthy based on no merit or talent - purely through notoriety achieved through shameful behavior. Slasher” is a biting, social satire about reality TV and the glorification of people who are famous for simply being famous. Produced by Jeffrey Wright and Daniel Sollinger (“Girls Against Boys”), “L.A. The film stars Danny Trejo (“Machete”), Mischa Barton (“The O.C.”), Dave Bautista (“Riddick”), Eric Roberts (“The Dark Knight), Drake Bell (“Drake & Josh”), Brooke Hogan (“Hogan Knows Best”), Tori Black (“Not Another Celebrity Movie”) and Marisa Lauren (“Superhero Movie”), with the of voice of Andy Dick (“News Radio”) as the 'L.A. Slasher." Glenn Reynolds' Circus Road is handling domestic sales. Slasher: "Sales agency Circus Road Films has picked up Martin Owen's horror/satire feature "L.A. Slasher, details on Headless, casting update on Welcome to Purgatory, trailers for Truth or Dare and Red Sleep, and more: Today's feature includes a new poster for L.A. A very tough job to tackle.ĮDIT: I really hate it when autocorrect kicks in AFTER you hit the post button.We're back with another edition of the Indie Spotlight, highlighting recent independent horror news sent our way. That's not an easy opinion to change, and when it's been the standard business model for many years. ![]() He believes all fanworks are evil and deprive the original authors of major revenue. There is a specifc very vocally anti-fanworks author of my happily distant acquaintance I could name as being this type, but I'll be kind and not mention his name. That can work for Disney, but how many other studios will it really work for, and for how many of their franchises? How many sit and collect dust in the name of strict ownership when they could be sources of revenue if they were willing to share? What do they really have to lose? But if you haven't seen this sort of thing in action, it's hard to think it possible, and if you insist on every single penny being yours alone, it can't happen. This is something that's occurred to me quite often, especially in regard to the matter of corporations essentially owning folklore, but it feels like so many studios want to follow the Disney model of taking and re-issuing it to death, thus keeping their copyright alive forever and milking the cow again and again. Sevandor is an old coot who's been around several blocks many times (mostly in various faces of the publishing biz and IP, patent, and trademark law, but I've known some folks in the film industry, too).
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